“Sa Laoag ba nagsimula ang sabong? Taga-Laoag ba si San Pedro?” These questions were raised by one of the official commentators at the 2014 Aliwan Fiesta, the country’s biggest festival of festivals staged last Saturday at the CCP Complex in Pasay City. The commentator, who said he is also Ilocano, was bewildered when the Laoag City contingent interpreted the Pamulinawen Festival as cockfighting. Such bewilderment, dear karikna, was shared by a whole nation, or at least those who saw the event in person, through television broadcast or on the Internet.
But before I proceed with my humble observations, let me express my admiration for the 300-plus strong Laoag City contingent who gave their all in their performance. I am personally aware of how hard they labored, how much they sacrificed, and how they put their heart every step of the way to make their city proud. Kudos to their stellar production team headed by Christian Espiritu, an exceptionally talented performance artist; to all the support staff, dancers, propsmen, instrumentalists, singers, designers, sewers, cooks, architects, engineers, and other volunteers—all of whom were passionate in carrying out their respective roles. Credit also goes, of course, to the City Government of Laoag led by Mayor Chevylle Fariñas who supported the group.
Having said these, there was no question, dear karikna, about the Laoag contingent’s dedication and talent. The bewilderment comes from what is really the most important element of any authentic festival: the story. An event or ritual significant to the history and culture of a people, a particular agricultural product, means of livelihood, food, animal, or plant endemic to the place—these are highlighted in festivals. In short, they are about something a place and its people are truly proud of and thankful for.
Pamulinawen as sabong? While it is true that some Ilocanos may be involved in pallot (Ilocano for cockfighting), there is no proof either that such gambling activity started here or that we are doing it here more than anywhere else. It is questionable, too, whether among many things we can choose to celebrate, this gruesome hobby is really what we take pride in.
So why the choice of story? Inside sources say the pallot narrative was picked because it is a “winning piece.” This is because scenes inside the cockpit are really exciting and colourful. Given the lively character of more popular festivals like Cebu’s Sinulog, Iloilo’s Dinagyang, Bacolod’s MassKara, or Kalibo’s Ati-atihan, Pamulinawen organizers probably wanted something really flashy, although flashy is not really Ilocano. Continue reading ““Taga-Laoag ba si San Pedro?””