In her welcome remarks at the phenomenally successful Tan-ok ni Iocano Festival of Festivals, Nov. 17 at the Marcos Stadium in Laoag City, Governor Imee Marcos noted cheerfully that the delegations were well supported by their respective ‘stage mayors’, using the term in the same context as ‘stage mothers.’ Two mayors, however, went several steps further and took the stage, the center stage no less, and literally.
On a night of splendid dancing, heart-stopping stunts, and an overflow of Ilokano Talent, Honorable Edito Balintona, mayor of Sarrat, was no doubt the lousiest performer. Nearing the climax of his town’s Binakol Festival presentation, Balintona came out seated on top of a huge wooden structure, not unlike a parade float, together with a lady who, I would later learn, is his tourism officer, Dona Siazon. The mayor, who seemed at a loss, was seen being given instructions by Siazon as the performance went on, no doubt an insult to the efforts of dancers who attended painstaking practices for long hours so that they can perfect their act. But there was one thing the mayor did so well… wave at the crowd, a sea of humanity so huge it could have been impossible for him to resist the temptation of appearing on stage …to wave.
“What is their mayor doing there?” asked some spectators who also made comments that are too disrespectful to see print. Judges, sources say, gave Sarrat’s performance one of the lowest scores.
Honorable Salvacion “Vacie” Cimatu, mayor of the windmills town of Bangui, can surely dance. And I know she can sing as well. It was the second time she top-billed her town’s number. She performed, too, in last year’s inaugural edition of Tan-ok. Continue reading “Tan-ok ni Edito, Tan-ok ni Vacie: Or why our Festival of Festivals is better off without ‘stage mayors’”